Hey guys and ghouls! Two weekends ago, I jumped back into the convention scene. You guys missed a hell of a show if you were not at this convention! Full Moon Tattoo and Horror Festival was held at Music City Center on May 8th, 9th, and 10th in beautiful downtown Nashville. The new convention center allowed for there to be a ton of space and some new vendors and guests. The amazing poster for this year’s festivities was done by the talented Joel Robinson and features the beautiful Stacey Dixon.
Some of the guests included Tony Todd, PJ Soles, Robert Mukes, Santiago Cirilo, Roddy Piper and one of my faves, John Dugan. I came with a few actors in mind that I wanted autographs from, the first being Sean Patrick Flanery from the Boondock Saints fame. Of course he’s also appeared in many other films such as “Powder”, “The Dead Zone”, “SAW3D”, and “Suicide Kings”. I did take a few minutes to talk to him about the 3rd Boondock Saints movie, which has been confirmed. Sean Patrick says that he is working hard with Troy Duffy writing the third movie and they are looking to begin filming in August.
Next on my list was another Boondock Saints veteran, Brian Mahoney. This was Brian’s first time at Full Moon and only his second convention, so you can imagine that he earned a spot on my list to add to my Boondock Saints collection. Brian has also recently starred in Furious Seven and other past films include American Reunion., Jarhead, and The Pitcher. Brian was extremely happy to be there and chatted about his role in the new Boondock Saints movie, with Sean Patrick and Troy promising a lot of great scenes for Detective Duffy.
In conclusion, I would have to say that Full Moon Tattoo and Horror Festival was a success. Wookie and I had an amazing time hanging out with the celebrities and vendors. We were able to score several great movies from our friend, DVD Bob of Cult Fiction Underground and also stopped by the Evil Pumpkins table to see Jeano and Tanya. Later that night, we headed out to The East Room in Nashville to attend the Cult Fiction Underground Fundraiser and help DVD Bob raise money to open Cult Fiction Underground’s new location. It was an amazing night of comedy, music and burlesque. If you were unable to attend, you can still donate here to help open the doors.
Hey guys and ghouls! Waaay back in October, I decided that it was time to make a change for the better in my life. So I kicked cigarettes and began to vape. I’m not here to preach to you that vaping is better or anything like that. I am, however, going to tell you about some awesome flavors that I encounter. Before I begin this first review though, I want to take some time out to give a HUGE thanks to Mt Baker Vapor for taking me on as an official e-juice reviewer! I hope I can do you guys justice!
Onto the review! So for my first review, I had to share the awesomeness with you guys! Mt Baker has an amazing line of GWAR juice that I knew would be amazing. I chose to get the Jizmogoblin, Bloodbath, and German Chocolate Beefcake to begin and my oh my, I was NOT disappointed. For those curious, the GWAR flavors come in a standard 50pg/50vg but you are able to choose your level of nicotine. Since I’m dripping, I chose to go with a 3mg level. For those wondering about my setup, I am currently using a copper Stingray with a Mutilator RDA. If you are using these flavors in a glass tank, I highly recommend that you get the uncolored flavors, as the coloring can stain your glass.
I’ll first begin with Bloodbath and all it’s bloody glory. The Mt Baker website describes it as “A powerful tropical fruit blend specially designed to satisfy the bloodlust of every scumdog in the universe.” I couldn’t have said it better myself. I’ve noticed that many tropical fruit flavors tend to be sometimes over-powering when it comes to vaping, but Bloodbath is the perfect blend and it has some nice clouds to it as well. I definitely give this one a two thumbs up. Next on my list is German Chocolate Beefcake…sounds interesting, right? It’s a beautiful blend of cake, coconut, chocolate, and caramel. I would have to say that this was my favorite juice to vape of the three that I chose. I’m also a bit of a desserts vaper myself, but there was something that was just damn special about this one. I’ve already went through half the bottle over the weekend because I just couldn’t put it down. Beefcake the Mighty made a hit with this recipe.
Last but not least is Jizmogoblin! This blazing blue flavor is a mixture of creamy blueberry, custard, and nut. Each bottle is specially harvested by Skullhedface herself. I enjoyed this flavor a lot and it was very delicious. I took it with me on a trip this weekend and wound up having some family members vape a ton of it while we were hanging out because they really liked it as well. If you’re interested in purchasing any of the flavors I have listed, feel free to click on the links I provided in this review and grab some! The GWAR flavors are currently priced at $10.99, so you can afford two or three! I’ve got a ton more reviews to do for Mt Baker coming up that I am very excited to share with you all.
Well hello there! I bet you never thought you’d see my face again…
That’s right! It’s Nymphetamine Jade and I am back and better than ever! So what does a writer do when they have a lack of Internet for almost two years? A boring, adult life. I did have a lot of exciting things happen in between, but I’m sure you guys aren’t interested in all of that. What I want this post to be about are the things that I have planned for my blog. Of course, I am going to continue with my movie and convention reviews and I am even looking to revive Historic Horrors. But one thing that I picked up out in the real world was vaping and I would really like to begin a vape review. I’ve already began looking into a few lines I’m wanting to try, and man, I am excited about this!
I’m trying to gauge really what the interest would be in this. Do I have any fellow vapers out there? Is there a specific juice or mod you’d like to see me try? Let me know in the comments below! For those of you interested in what I have been doing in the last couple of months, here’s a few pictures to catch you up to speed. Coming up this weekend is Full Moon Horror and Tattoo Festival in Nashville! If you might remember correctly, I attended Full Moon in Chattanooga a couple of years ago. I can’t wait to see some familiar faces and meet some new ones! You can also keep up with me on Instagram at: Nymphetamine Jade
Kevin Smith and I 4/16/15
Rapper Jellyroll and I 4/23/15
Ralphie May and I 4/16/15
Nymphetamine Jade and Wookie Promocalypse in Nashville
My name is Yasmine. I’m three months pregnant. One day, someone said “Men are born free with equal rights”. The world in which I live is the opposite. Who would want to be born to grow up in the chaos and the hate? I’ve decided to spare him the worst.
Riots in Paris are the back-drop of this film as Yasmine and three other young small-time criminals escape the city with their loot, only to take refuge with a group of neo-Nazi cannibals who want to create a new Aryan race.
Full of gore and shocking moments, this one is a must-see!
Grade : B+
One of the most intense movie experiences in recent memory, Inside never even flinches through 90 minutes of pure horror. You don’t even need the subtitles on this one.
Sarah is a young pregnant woman involved in a horrible car accident where she lost her husband. Months later, she is very heavy with child alone on Christmas Eve, when a deranged woman breaks in and terrorizes her for the whole night.
It is relentlessly gory and shocking, and you cannot look away.
One of my favorites!
Grade : A
This is one of the most effective and creepy films for the first hour or so, until they inexplicably ruin it with an infuriating twist.
Great film, up to a point, but the ending ruins it for me.
Grade : C
Shot in dim blue-washed tones, this one is a simpler story of survival. It begins with a pretty standard “zombie movie” set-up in a dreary desperate world.
Marco and Sonia are paramedics trying to find a mysterious military base called NOAH. Sonia has been bitten but seems to be immune to the mutating effects of the ambiguous outbreak. Marco is not, though, and after he gets bitten the focus of the film is on his truly disgusting degeneration. The effects and gore are great, but after a while it gets boring waiting for Marco to go “full-mutant”, as the other “characters” serve as a body-count while looking for fuel and bickering over keys and blah blah blah, all your standard zombie story cliches.
The mutant effects are cool, and it is well-shot and worth a watch, but nothing too spectacular.
Grade : C
My original review for this was short and sweet :
“The best movie I have ever seen, that I will never watch again.”
I have seen it twice since then, and it still makes my toes curl up. An inventive twist on the wholly-American “torture-porn” sub-genre, this film is intended to make you squirm and think.
As director Pascal Laugier says in his introduction (or apology) for the film, “It is a very free, very raw, and very experimental film. Feel free to hate me, I will understand.”
This film is a masterpiece. A gruesome and mind-bending experience, to be sure, but an unforgettable one. One of the best ever.
Grade : A
Be sure and check out these freaky French flicks, the titles link directly to Amazon for your ordering convenience. Do your Homework!
By Merkin Muffley—HorrorHomework Instructor
Vampire films seem more immortal now than ever before. The genre can’t be killed, even with bad films such as Twilight and Dracula 3000 having seen the light of day over the last decade or so.
Luckily, there are some flicks that have come out in recent years which make it easier for film freaks to separate the wheat from the chaff.
One such film is 2010’s Stake Land, directed by sophomore filmmaker Jim Mickle.
Basically the film revolves around Martin (played by Connor Paolo, “Alexander”) an American teenager who is saved by the mysterious veteran vampire hunter Mister (played by film co-writer Nick Damici, “World Trade Center”), in a vampire assault which claims the lives of his whole family before his eyes.
After the attack, we find that a mass vampire epidemic has nearly destroyed North America. Martin and Mister make their ways north to Canada, to a place known as “New Eden”, where vampiric activity is nearly non-existent due to the frigid climate.
In this world, where life is rare yet disposable, our antagonists fight their way to an uncertain sanctuary in the north. Along the way, they collect comrades who share their need to survive.
Why you should watch it
Stake Land is a great movie for many reasons. First of all, it’s free of that teeny bopper vampire pageantry we have all grown to loathe. It was even produced on a relatively small budget of just $4 million, according to imdb.
Just gimme a small shot of vampire to go with my glass of estrogen.
Stake Land is a coming-of-age film set in a post-apocalyptic world where survival is the fabric of society.
There are no sexy and stylish vampires to woo the characters and audience. The film’s ever-present nocturnal blood suckers resemble zombies more than vampires. The premise doesn’t get too technical on these grounds—a breath of fresh air when compared to other vampire flicks.
They really Nailed what a vamp should look like in this one.
To compare, this film resembles a few acclaimed stories; Cormac McCarthy’s The Road, Robert Kirkman’s The Walking Dead and Mad Max, directed by George Miller.
What themes do these stories have in common with one another, class? And how are they different? What do such stories accomplish when considering the human condition?
As we follow the two characters on their adventure, Mister trains Martin in the arts of killing vampires and staying alive. The two encounter all manner of people who have survived along their way, in small towns in a barren and cold landscape.
Despite the dimly lit setting and the dun-colored patrons therein, the story is rich with religious and economic undertones.
At one point, we find that many survivors have taken to religion as their cornerstone for existence, meaning that all non-believers are just as killable as vampires. The towns which Martin and Mister make their way through come equipped with trade, entertainment, prostitutes, assholes and booze—all the facets of a functional society! It’s like a Western, on those grounds.
What this story does is comment on the human condition in a very unique way.
As Martin learns to assimilate into this new way of life, he grows and matures. The survival skills he learns open the door to an old but very important concept in human history: filial piety—reverence for those who can teach.
This film was not made with the “blockbuster” philosophy of film production, thankfully. It has something to say and show the audience. It doesn’t have to prove anything. It’s just bad ass.
For extra credit, what does the class think of this film?
“How many horrible fucking remakes is Hollywood going to fucking make?”
And if you’re anything like me, you’ve probably even said something like that before. I hate Hollywood remakes, and I think filmmakers should abandon the practice.
In fact, there are MANY regurgitated stories that Hollywood has vomited up and onto the big screen that very few of us are able to stomach. It’s HIGHLY frustrating. Why fix something that was never broke? Why pervert a film classic for the new generation? Are there really no new ideas coming from the writers in Hollywoodland?
But, I would be remiss if I didn’t give credit where credit is due. There are SOME remakes which I believe were wrought with a considerable degree of skill and competence.
The Carpenter constructed Zombie
For the sake of brevity, I am going to argue that the first remake of Halloween is one such example.
Am I saying that the new version compares to its predecessor? No. I am simply saying that it is a decent film, which relates the original story adequately, and it happens to be a remake.
Many diehard horror fanatics (like me) will even assert that the original 1978 production of Halloween was a classic, while dismissing the 2007 version as a sophomoric attempt to retell the story in a more testosterone-driven and profitable way.
Sure, it was directed by Rob Zombie. Not John Carpenter. But it was with the go ahead from John Carpenter on the advisement that he make it “his film”.
However I must submit to the class that in the scope of recent Hollywood remakes, Zombie’s take on the story of Michael Myers is a cut above the rest when considering content, direction and editing.
Let me put it to you this way:
Would you rather the new generation of movie goers be subjected to subpar remakes like 2009’s The Stepfather, which had so many holes in continuity or logic that you could play Wack-A-Mole out of them? That movie fucking sucked, and now most youngsters who think of that story won’t know of the grim original from 1987, which starred Lost’s Terry O’Quinn.
Zombie’s version of the film obviously deviates from the original in many ways, but it could have gotten MUCH worse direction.
There is no mystery. The characters are by no means allergic to vulgarity. More emphasis is placed on Myers’ childhood and his obviously dysfunctional family. There is less of an element of ‘evil’ and more of an element of ‘psychological disorder’, and it’s just simply not what most of us grew up watching.
Let’s get one thing on the table.
All of the characters are, quite simply, unlikeable. They are made out to be monsters. Everyone from Myers’ principal, his sister, school mates and even Dr. Loomis. To help get that ball rolling, Zombie has pretty much all of them spitting out profanity while exhibiting some sort of immoral behavior.
Anybody can do that! Woopty fucking doo.. doo.
Doo doo. Haha, anyways.
I can’t stress enough that Zombie makes the audience question ‘how the world can create such monsters?’ rather than, ‘who in the world could be one?’.
Zombie is using the remake to ask a similar question posed by the original: Who among us could be wearing a mask to hide from a brutal world, and was it the world that drove them to that point?
I think that Carpenter revealed the grim origins of Myers in a more profound way. He didn’t spell out a troubled and sadistic past the way Zombie did, and any violence in the remake by no means comes as a surprise to the audience because of this.
But it wasn’t Zombie’s intention to do so, nor was it his intention to replicate the tone or pace of the movie. Zombie is telling the story of a broken child at odds with a broken world, where sanctuary is found only behind a mask.
If you would class, please refer to any moment in the film where a character ISN’T hiding their true nature. Notice how Michael, a person who attempts to conceal his true self, reacts to the rest of the frankly vile world.
He pretty much kills or maims them in true Myers fashion.
Through this viewpoint, one might consider the moral service Myers seems to be doing the audience. The towering shots of Myers even as an adolescent suggest a coup de gras for his victims later on in the film. What irony might you find in that as a viewer?
As early as ten minutes into the film, we can watch Myers bludgeon an easily unlikeable bully with a tree limb after school. After begging for mercy, our antagonist puts his mask back on and finishes his attack. The bully, who just minutes before was dishonoring his sister, is then dispatched viciously.
The product of Zombie’s storytelling is no different from Carpenter’s in this sense. Every kill is not without extreme prejudice.
But Zombie retains some of the indiscriminate evil that Myers has always been known for. Through betrayal.
As Ismael Cruz (played by Danny Trejo), the loveable janitor who gives Myers wise advice about life behind bars, is later killed by an older and hulking Myers. By going against his early depiction of Myers, Zombie paints a picture of a more traditional Michael Myers.
It should be noted class, that when Cruz tells Myers that “learning to live inside” his head would keep him sane, the very Manson-esque rationale was then readily accepted by the mask wearing youth. This can be seen by the subsequent obsession with masks, which I found quite original.
The viewpoint of the film tends to get pretty personal. While we are watching a story about a giant peoplestabber, Zombie also has us peering in over the shoulder of many a character in the middle of every conversation.
When actors are in field, the viewpoint tends to be at a low, down to earth level with the characters. Often a character is directly in the middle of a shot. An up close and personal kind of thing. Again, this is a more human approach to Michael Myers, which helps drive the kinds of questions Zombie poses about our culture.
What is seen and heard in the film:
Zombie’s use of rapid editing during action sequences, albeit a mainstay in modern cinema, was used with tact in many areas of the film. These are coupled with free-roaming or “shaky” cinematography to give the film a human feeling, while side scrolling shots push along exposition.
In short, it’s a simple formula and it works for Zombie’s intent.
Another intent of his is to show off his hot wife, Sherri Moon Zombie.
We are all very aware of Zombie’s propensity to put her in his films, and while that may be very easy to dump on, I would like to note the nice strip tease performed by her in the film. This kind of sexual content, albeit more jacked up, was present in the original Halloween. And such would be evident to any ten year old boy in the seventies.
It’s also eye candy, which I won’t dispute is something most filmmakers are going for nowadays.
We can often hear dialogue among characters which are out of the shot, while abstract objects float around in the foreground. This is often used as a device to inhibit the measure of a character. And we certainly don’t get a good look at Myers when he is being verbally abused by his mom’s boyfriend. The imposing voice of Ronnie White (played by William Forsythe) referring to Myers as a ‘faggot’ seems larger than Myers himself, along with the blurry jack-0-lantern.
What is our antagonist thinking?
Is there anyone among the class who would say Zombie didn’t get it right when Myers gets his revenge by slitting White’s throat? The inverted shots, high pitched tones and suddenness wasn’t without favor for the audience? It encapsulated the spirit of a slasher in scenes such as this, and without replicating Carpenter, who executed similarly, yet with less for the viewer to go on.
Again, it is easy to slam remakes for their incongruity to the originals. And while I can get drunk on nostalgia as much as the next horror fan, I also can see the more polished turds from the least—a sobering thing when faced with such horrible remakes as I am Legend or Friday the 13th.
Just don’t get me started on Zombie’s choice for Malcolm McDowell to play Dr. Loomis.